Download Festival – Sunday 16th June 2019
Waking at a more reasonable time I find one of the chaps poking the BBQ as the logs in it were still smouldering!! Planning ahead to the potential chaos of tomorrow when everyone is trying to get a cart back to the car park son and I pack up a load of things and joined the short queue. A mini van turned up and 2 people started to put their things in and then told the next in the queue there wouldn’t be room for them as they had a load more to pile in. I turned and saw their pile and realised our load was quite normal compared to theirs. Anyway, son and I managed to get in as well.
When we returned, we had breakfast and sat under the gazebo chatting with the chaps about all sorts of things. This is something that makes a festival meeting others, getting along and sharing by helping each other out. In the distance we heard Tool sound checking and it sounded pretty good.
With all this talking we were a bit late moving into the arena not helped by the overzealous security searches. There was a long queue and the chap who searched me was extremely thorough, he wanted to know what the folded paper was, my set list times, maybe he thought it was a dealer list or something? Then in my other pocket he wanted to know what the packet was, my wet wipes 😊and no you can’t suck the alcohol out of them!! Son on the other hand got in with hip flask of rum so obviously I’m the dodgier looking one! We parted company as we entered the arena.
On my way to the small tent I passed the Demolition Derby area and stopped for a look. Blimey it was carnage, fully armoured knights bashing the shit out of each other with swords, pickaxes and mace. Despite the shields there were blows everywhere and I bet when you got whacked on the head it made your ears ring.
On the small stage was Kim Jennett who was lead singer for Voodoo Blood but is now performing as a solo artist with backing group. It was a good set formed of a mix of rock, metal and blues which makes for quite a melodic mix especially when sung with such aplomb as Kim does. Those bluesy tones give the metal music a more relaxed approach although no one has yet coined the term blue metal as that could mean something depressing and this certainly wasn’t.
After her set I grabbed a shredded duck wrap which was more salad than duck! And I caught some of Godsmack on the main stage. Hard rock with gravelly vocals with a thudding back beat made for quite a good sound which was ramped up when they introduced a second drum set. I enjoyed it way more than I did the wrap!
My horns were fully charged for the next band and I made my way forward to be closer and got near to the sound desk tower with a good view of the stage. Amon Amarth brought their Viking rock to Download complete with horned Viking helmet drum riser and came out fighting with their opener “The Pursuit of Vikings”. When they hit us with “Way of the Vikings” two Vikings were battling ferociously on stage, they should’ve been up at the demolition derby and they’d probably have won. Amon Amarth are all hair and beards and dressed identically using the hair to create tornados and have the crowd screaming along. Its great stuff entertaining as well as appealing to some inner Viking in us all as “Guardians of Asgard” has the crowd on the floor in a rowing pit!! Whilst on stage the Amon Amarth symbol is burning fiercely. At the end the band raise their horns to drink a toast and I join them. Yet their biggest surprise is to come during the closing song “Twilight of the Thunder Gods” when a large dragon moves slowly but menacingly towards the band from the wings. Epic stuff.
In the interval that followed I take the chance of the shifting crowd to get closer still and move right up to be next to the barrier at the front of the sound tower. This barrier creates a buffer for the crowds at the front to prevent crushing I suspect. This is the best place to be and judging by the chairs people have been here all day. Next up are Lamb of God and they burst onto the stage with the earth-shattering “Omerta” with it’s spoken beginning it brutally tears a hole through the crowd when it kicks in. The energy that Randy shows on stage is mirrored by the crowd and yours truly is no exception but where I am there’s no pits. However, the screens show the 2 massive circle pits developing in the front section which only get bigger as the set progresses. “Walk with me in Hell” is rapturously received and the crowd scream the title along with the band. Most of the set comprises songs from the earlier albums but as Randy says “here’s one about a shitty place I spent some time in” I know what we’re in for and as the opening bars of “512” kick in so does the crowd. Lamb of God gigs are always manic and a brutal assault on the senses and being this close to the massive stacks of speakers, feeling that bass thundering through my body, only serves to emphasise that. There are now several circle pits in action coupled with lots of head banging which rise in crescendo with each song. “Blacken the cursed sun” is ferocious in intensity and the pits are joining together as though pulled in by a black hole at their centre. The band dedicate “Laid to Rest” to Slayer who are playing their last ever UK gig later and after this there’s a brief pause as the band leave and then reappear perhaps to gather strength for the final song “Redneck” which just pushes the pits into a maelstrom of madness. Brutally efficient and devastating that I need to go back to the tent for some recuperation.
Suitably refreshed it’s time to go back for the final session and it’s going to be good, well after the previous 2 bands it better be as they’ve raised the bar. Food first and tonight it’s the noodle bar which in previous years has been good value but this year the meat content seemed a bit lacking. I made may way over to the second stage both for the bar and to catch some Dream Theatre. Dream Theatre should be a band I’d really enjoy with their prog metal soaring musical landscapes and yet I struggle. To me it all seems too twiddly, too many swoops and soars with a keyboard that does the same on stage. Perhaps I need to sit down and listen to a song because this is the second time I’ve walked away from a live performance.
Moving over to the small stage again Municipal Waste are laying waste to it perhaps as the last act they’re determined to physically trash it. They bring their brand of savage thrash metal and have drawn a large crowd that I have to walk all the way round the tent to get in at the far side for their close out numbers. It’s fast, it’s thrash and it’s loud but the crowds having a party judging by the amount of moshers and smiles 😊 At the end it does look as though they’ve nearly achieved the aim of trashing the tent as it’s littered with all sorts of detritus.
Time to head back to the second stage to catch the beginning of the last ever UK Slayer gig. As I approach the crowds are getting thicker and it’s hard to make progress, so I end up just standing on the hard path as more and more people push past such is the testament to Slayers draw. When they come on stage it is to the biggest and loudest cheer of the weekend and they open with “Repentless” that just sends the crowd wild. Slayer do not disappoint and from what I see and hear their set is going span their entire career but alas I’m hear to see Tool as you never know it may be my last chance so I leave Slayer to fuel my horns one last time and to find a good spot. When I get to the bar there’s no queue and servers waiting to serve!! So, I try to go in the exit side as it would’ve been quicker, but I get stopped by security who apologises that the “management” don’t want that to happen and that I’ll have to do the zig zag? He agreed it was completely stupid but stood his ground.
I’m able to get right down near the sound tower again and as darkness is falling, I look around to see a few rather glum faces. Smiling at them elicits no reaction so I just shrug and turn back to the stage noticing that the camera’s that normally show the stage on the large screens have gone. The stage is sparse with just Tool’s pentagram hanging over it, a small drum riser to the right with guitar rigs at each end of the stage. Apart from the Glums the crowd buzzes with anticipation for Tools first appearance in over a decade.
There’s movement on stage as a taped intro is played which is a short extract from “The Third Eye” which dies away and is replaced by a brief sound check as the musicians claim their instruments. Then Maynard signals the breathless beginning of “Aenema” and the screens spark into life displaying Tools inimitable strange kaleidoscope of imagery as Maynard intones the opening mantra “Hey” before the music really kicks in and the sound is simply wonderous. I move around slowly joining in and notice faces in the crowd are also smiling with me. The imagery doesn’t quite match the music but that is part of the Tool ethos as is the fact that I cannot see Maynard at all. There is very little crowd interaction which matches the anonymity the band court. They’re not there to be seen just to be heard in a similar way I guess to Pink Floyd building a wall. We’re here for the exquisite music and whilst the visuals lend some form of magic to it all it’s not about them it’s all about the music. Aenema as a song builds slowly through verse to crushing chorus of flushing shit away perhaps this is the meaning of the song cleansing the soul of society by getting rid of the bad parts. However we should not read too much into Tool’s lyrics as it’s often quoted as being personal to the band hence the lack of stage personas as Maynard gets into the “mood” hiding in the shadows of the backdrop singing to the side not to the front where we are.
Following that mind-bending opening Maynard just says “Download” and then they’re straight into “The Pot” which the crowd sing along to but just a bit too fast as they’re outpacing Maynard. This is another sprawling epic with its emphasis on a heavy bass led riff. The crowd are really getting into it now but as I pan round it’s clear that I seem to be in the minority in my little space but that’s not putting me off as I’m enjoying it. This enjoyment ratchets up a notch with “Parabola” with its mind-bending expansive riffs. Perhaps it’s the lack of visuals of the band themselves that’s off putting for some but come on feel the vibe, hear the music and bathe in the phenomenal visuals on show. These visuals become even more surreal during a new song some are calling “Descending” as a pyramid appears behind the drums and lights seem to be beamed down from it evoking more memories of Pink Floyd for me but couple that effect with the slight breeze it feels we’re being transported to another world or a dimensional shift of this one.
Next, they gave us “Schism” with its bass driven melody and more strange conceptual visuals of some giant muscle figures that bend double swinging their heads between their legs. Later, during the closing part an alien-like polymorph seems to grow into a devil elf like creature breathing fire between pointed teeth. During all this Maynard’s distinctive voice is rich and disturbing as it builds to a crescendo of screaming release.
Another new song follows, “Invincible” and the crowd falls more silent as the music and visual together conspire to confuse the mind as there appear to be stutters in it but knowing Tool this is all part of the effect. We’re not meant to just listen but to experience and think about the music and the feelings it develops within us. This attempt at anonymity with the crowd together with the music and visuals creates a haunting presence around the band. However, there are occasional lighting effects which do illuminate them so we can see each one which makes them more welcoming but yet an illusion of just out of reach.
Towards the end of the set Maynard breaks his silence with the crowd to announce that “when we wrote this song 27 years ago many of you weren’t even sperm”! which is at once unexpected and shocking when you actually think about it which may well have been the reason behind the statement. That song was “Part of Me” which is true of the package that sperm carries toward the egg to be fertilised. They follow this with the set closer “Vicarious” with it’s furious rush of riffs that propel most to head banging paradise as those goose bump inducing visuals play out once again.
They disappear but the visuals display a digital clock counting down to the encore, oh that’s good and funny too. So, there’s virtually no clapping or shouting for more they’re telling us we’ll get more or at least that’s what we hope because it could be one massive joke! But it isn’t and they’re back to close Download with “Stinkfist” ending a dizzying ride with one of the most spaced out bands on the planet. They briefly come to the front to accept applause before leaving almost as discreetly as they arrived.
For those of us who have waited for this moment we’ve not been disappointed Tool came and delivered a mind-bending set that shows that you don’t need a band full of guitars, keyboards multiple drum sets etc. With just 3 instruments and a voice Tool have delivered a master class in song structure, musicianship, harmonies, layers and lyrical gymnastics. Couple that with those tripped out visuals that add a whole other dimension to things and boom your head just implodes. Simply sublime, superb and rapturous.
I trudge happy but wearily back to the tent for a post come down beer as son texts that he’s seeing his mates for a while.
Bands of the day (alphabetic order)
Amon Amarth
Kim Jennett
Lamb of God
Slayer
Tool
Monday 17th June 2019
The chaps have left early, son and I pack up and clear up discussing Tool and how it was an outstanding set. We managed to get the shuttle back to the car park and set off for what could’ve been a long journey back to Derby to drop him off. One of the roads we wanted to take was closed owing to flooding but we tried it and turned back when it appeared impassable. We stopped at a pub advertising breakfast, but they’d stopped serving. At Derby the barrier to the car park was broken which meant free parking! Opposite the station we found an old large pub that was doing food and had quite a few fellow downloaders in. After that we said our goodbyes and I drove home as he caught the train.
So, what gripes do I have about this year’s download? Well I’m not complaining about the mud as the arena wasn’t as bad as it had been in 2016 and well it’s a festival in a field so what do you expect occasionally? However, these did annoy me:
1. Put a big sign up saying “RIP wristband exchange”
2. The stupidly long distance from the car park to the tent. Paying that much for a RIP ticket I expect to park within spitting distance no more than 2 minutes rather than the 10 they advertised. People in own tent RIP were parked next to their tent!
3. The golf buggy’s, whilst helpful, were inadequate given the volume of people and gear turning up. There should’ve been a drop off/pick up for us with a car if I then had a 10-minute walk fair enough.
4. The stupidly long queues for the beer. Why have one person serving who then must tell someone else what the order was and come back with a price? Then they must wait whilst another order is being served with the card reader.
5. Finding the cup exchange had closed early meaning I had £4 of cups in my pocket (£2 per cup) I guess that’s one way to make money!!
6. The excessive security, checking our wristbands on exit when they’d already checked them on entry is entirely overkill. Oh, and I never did see any drugs dogs despite the massive warning signs.
7. Why did Download put bands that would draw large crowds in the smallest tent?